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(DODEKAFONIJA) = ♦DVANAJSTTONSKA TEHNIKA (SKLADANJA)♦

ANG: dodecaphony, dodecaphonism; NEM: Dodekaphonie; FR: dodecaphonie, dodecaphonisme; IT: dodecafonia.

ET: Grš. ddeka = dvanajst; grš. phōn = glas, zvok (‹KLU›, 544).

KM: V ‹JON›, 78–79, se opozarja na neke pomene d., ki niso povsem sopomenski z dvanajsttonsko tehniko, vendar so zanemarljivi.

KR: V literaturi vlada popolna zmeda v zvezi s tem pojmom. Tako npr. v ‹V›, 187, napoti ne samo na dvanajsttonsko tehniko, ampak tudi na serializem, ‹IM›, 102, napoti na serializem, serijo in na »dvanajstnotno skladbo« (= »twelve-note composition«), medtem ko se v ‹GR›, 64, d. definira kot »neeleganten in nenatančen naziv, katerega pomen pokriva atonaliteto, serializem in dvanajstnotno skladbo (= ’12-note composition’)«. V ‹GR6›, V, 520, se d. definira kot sopomenka atonalitete ali, »v nekaterih primerih«, z »dvanajstnotno serialno skladbo« (= »12-note serial composition«).

Pripona -izem (prim. ANG- in FR-obliko pojma z -ism oziroma -isme), ki v slovenščini navadno sugerira nazive za slog, obdobje ipd. […], bi pojem, kot bi bil »dodekafonizem«, označeval slog glasbe, ki se sklada z dvanajsttonsko tehniko. Vendar je ta oblika z -izmom dokaj na hitro narejena tujka, zato se ne uvršča v ta Pojmovnik (kot npr. tudi ne »hiperkromatizem« oziroma »ultrakromatizem«; gl. KM in KR kromatizma oziroma KR hiperkromatike in ultrakromatike).

Ponekod lahko srečamo tudi pridevnik »dodekafonični« namesto »dodekafonski« (npr. v ‹MELZ›, I, 516, in v ‹MELZ›, Ill, 194 – gl. t. 3 v KR dvanajsttonske tehnike), ki ni povsem točen, ker se tvori iz samostalnika »dodekafonika«, o kateri se ne ve, kaj naj bi pomenila.

PRIM: dvanajsttonska tehnika (skladanja).

‹APE›, 83 = samo pridevnik »dodecaphonic«; ‹BASS›, I, 60–66; BEICHE 1985: 2–3, 6; ‹BKR›, I, 330 = vodilka k dvanajsttonski tehniki; ‹CAN›, 156–158; ‹CH›, 297 = »dodécaphonisme«; ‹CP1›, 239 = samo pridevnik »dodécaphonic«; ‹FR›, 23; ‹HI›, 126; ‹HO›, 305–307 = »dodécaphonisme«; ‹L›, 663; ‹LARE›, 467–468 = »musique dodécaphonique«; ‹M›, 102103; ‹MELZ›, I, 459–461; ‹MI›, I, 663; ‹P›, 60; ‹RAN›, 236 = samo pridevnik »dodecaphonic«; ‹RIC›, 11, 73–75; ‹RL›, 236; ‹SLON›, 1438–1444 = »dodecaphonic music«

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