Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

BOOGlE-WOOGlE

ANG: boogie-woogie, boogie woogie, Boogie-Woogie 1928; NEM: Boogie-Woogie, pianistischer Stil (12 Takte); FR: boogie-woogie, boogie woogie, style pianistique (12 mesures); IT: boogie-woogie, boogie woogie, stile pianistico (12 battute).

ET: »Woogie« kot rima z »boogie« = slabšalno ime za črnca (‹DUD›, 92).

D: »(Naziv za) stil interpretacije bluesa na klavirju s perkusivno ostinatno spremljavo v levi roki …

Ponavljanje obrazca v basu skozi dva ali tri takte, ki predstavlja dvanajsttaktno progresijo v bluesu, včasih s IV. v drugem ali desetem taktu. Melodije lahko vsebujejo vrst figur ki se ponavljajo z uporabo osnovnega beata (s tremolo, riffi, hitrimi triolami) ali s poliritmično improvizacijo. Ta stil je cvetel okrog leta 1936 do zgodnjih štiridesetih let, ko so odkrivali izvajalce iz dvajsetih let, kot sta npr. Lewis in A. Ammons. Basovska linija je preživela v bluesu, rhythm and bluesu in v rocku.« (‹RAN›, 102)

KM: Ustreznice v ANG, NEM, FR in IT, ki se razlikujejo od izvirnika, so navedene v ‹BR›, 234–235, vendar ne kot prevedki, temveč kot pojasnila. V ‹L›, 74, so samo izvirni ANG-pojmi in nepraktično tudi drugi opisi v NEM, FR in IT.

KR: Pojem se večrat piše brez vezaja.

GL: blues, jazz, rhythm and blues, rock, rock glasba, walking bass.

‹APE›, 34–35; ‹BASS›, I, 382; ‹BKR›, I, 160; ‹FR›, 11; ‹GRJ›, I, 135–136; ‹GR6›, III, 39; ‹HI›, 70; ‹HK›, 64–65; ‹IM›, 45; ‹KN›, 42; ‹LARE›, 176; ‹MELZ›, I, 220; ‹P›, 37; ‹RIC›, I, 294; ‹RL›, 118

error: Content is protected !!